Nashville: From Charlie Romans to the Paramount Four

E. Mark Windle 14 December 2021 So, which floats your boat? I’ve been asked a few times now what the rationale was for selecting the particular artists and recordings in House of Broken Hearts: The Soul of 1960s Nashville. The intention of the book was not to be a panacea of Nashville soul music history; moreContinue reading “Nashville: From Charlie Romans to the Paramount Four”

Reaching Different Shores: A Subculture Rediscovery (The Tempests pt 14).

E. Mark Windle 5 November 2021 As important life events took over such as careers, raising families, and in many cases later caring for grandchildren, the musical activities of their youth were becoming distant memories for some former Tempests members. A new generation of musicians were stepping in, taking black music into another era. YetContinue reading “Reaching Different Shores: A Subculture Rediscovery (The Tempests pt 14).”

East 4th Street Studio, and the Fabulous Plaids (The Tempests Story pt 13)

E. Mark Windle 18 October 2021 After The Tempests split and members went their separate ways, Van Coble was determined to continue in the industry. With an interest in sound engineering and electronics he toyed with the idea of setting up a recording studio. Before long, Van brought two other business partners into the fold:Continue reading “East 4th Street Studio, and the Fabulous Plaids (The Tempests Story pt 13)”

The Tempests (pt. 8): Touring, Boston’s Sugar Shack, and the LP release

E. Mark Windle 19 August 2021 Touring was relentless. In between it all, the Premier Talent Agency pushed The Tempests through a couple of multi-artist events, at The Mariners Festival, a USO show at Fort Eustis, Virginia. Then it was onto another at Trenton, New Jersey where a local promoter took all the money andContinue reading “The Tempests (pt. 8): Touring, Boston’s Sugar Shack, and the LP release”

The Tempests (pt. 6): Ted Bodnar and the Road to Mercury-Smash

E. Mark Windle July 2021. The Tempests were ready to take on the world, no doubt about that. Musicianship, vocal talent and enthusiasm for live performance were all there. What was needed now was a new industry link to point them solidly towards a fresh recording contract. Someone with local knowledge, connections, and production andContinue reading “The Tempests (pt. 6): Ted Bodnar and the Road to Mercury-Smash”

The Tempests (part 5): Hit Attractions

E. Mark Windle 13 June 2021 Whether it was the Branch’s decision or that of other members to extend the horn section in The Tempests is unclear. Personnel in the early days was fluid, though Jim Butt (trumpet) and Rick White (tenor sax) had already been with group for some time, and Jim had takenContinue reading “The Tempests (part 5): Hit Attractions”

Redressing the History Books. The Soul of Music City

By E. Mark Windle, May 2021. Regarding what has been pretty much an obsession with writing about 1960s southern soul themes since I started over ten years ago, “House of Broken Hearts: The Soul of 1960s Nashville” was undertaken in an attempt to resolve a nagging omission. A fair chunk of my travels (both realContinue reading “Redressing the History Books. The Soul of Music City”

Bigger and Better: The Hytones and Sandra King Story

E. Mark Windle 30 October 2020 William Everett Justis Jr. (1926-1982) was an example of a key industry player who bridged the gap between rock ‘n’ roll, pop and R&B in the 1950s and 1960s. Justis would play a pivotal part in developments at Sun records in Memphis. Graduating from Tulane University, New Orleans, theContinue reading “Bigger and Better: The Hytones and Sandra King Story”

Southern City Records: Hal and Jean, and the Paramount Four

E. Mark Windle 29 October 2020. Gallatin is a tiny rural town in Sumner County, a mere thirty miles from Nashville. Author Ken Abraham noted in More Than Rivals that Gallatin was a typical segregated main street southern town in the 1960s, with segregated drinking fountains, parks and pools and engagement in sports activities. Working class familiesContinue reading “Southern City Records: Hal and Jean, and the Paramount Four”

“Nashville Could Eat Its Young!” The Athens Rogues Story

E. Mark Windle 22 August 2020 “To us, back in 1968 Nashville was all country. Not a place for our stuff” recalls Gerald Fleming of Georgia’s Athens Rogues. “Especially the soul part. Producer and musician and label owner Pete Drake really took a huge chance on us. We guess we were the first of ourContinue reading ““Nashville Could Eat Its Young!” The Athens Rogues Story”