E. Mark Windle 10 November 2023 It’s been a good while since the rare soul scene was an insular subculture confined to the wilds of northern England. The word spread decades ago, with self-sufficient parallel or related scenes now well established throughout Europe, Japan, the USA and elsewhere. Other than the pull of the musicContinue reading “Holding on to the Past. The Challenge of Preserving and Accessing Soul Music History in the Written Word”
Tag Archives: R&B
Just Enough to Hurt Me: The Astors Story
E. Mark Windle 17 April 2023. This week marks the passing of singer Curtis Johnson, founding member of Memphis soul group The Astors. They may be one of Stax’s less instantly recognisable acts (at least to a mainstream audience), but their work is very familiar to, and respected by, the UK and European rare soulContinue reading “Just Enough to Hurt Me: The Astors Story”
The Yorkshire Soul Connection: an Interview with Garry Cape
E. Mark Windle April 2023. When I asked reissue / retrospective soul label owner Garry Cape about the motivating factors for his 2020 return to the soul market with the reactivation of his Hit and Run label series, issues of mortality seemed to be at the top of the list: “I guess it had somethingContinue reading “The Yorkshire Soul Connection: an Interview with Garry Cape”
Radio Stations, DJs and the 1960s Nashville R&B Scene
E. Mark Windle 1 August 2022. Music historians will argue over the exact origins of the music industry in Nashville, although any stance depends on the genre under debate, and how far back one is willing to go. The predominance of country music is undeniable, with its roots planted in Celtic and European folk songsContinue reading “Radio Stations, DJs and the 1960s Nashville R&B Scene”
Nashville: From Charlie Romans to the Paramount Four
E. Mark Windle 14 December 2021 So, which floats your boat? I’ve been asked a few times now what the rationale was for selecting the particular artists and recordings in House of Broken Hearts: The Soul of 1960s Nashville. The intention of the book was not to be a panacea of Nashville soul music history; moreContinue reading “Nashville: From Charlie Romans to the Paramount Four”
Reaching Different Shores: A Subculture Rediscovery (The Tempests pt 14).
E. Mark Windle 5 November 2021 As important life events took over such as careers, raising families, and in many cases later caring for grandchildren, the musical activities of their youth were becoming distant memories for some former Tempests members. A new generation of musicians were stepping in, taking black music into another era. YetContinue reading “Reaching Different Shores: A Subculture Rediscovery (The Tempests pt 14).”
East 4th Street Studio, and the Fabulous Plaids (The Tempests Story pt 13)
E. Mark Windle 18 October 2021 After The Tempests split and members went their separate ways, Van Coble was determined to continue in the industry. With an interest in sound engineering and electronics he toyed with the idea of setting up a recording studio. Before long, Van brought two other business partners into the fold:Continue reading “East 4th Street Studio, and the Fabulous Plaids (The Tempests Story pt 13)”
The Tempests (Pt. 10): The Split, and a New Band Forms
E. Mark Windle 23 September 2021 The initial choice of rehearsal venue for The Holidays, the band formed immediately after The Tempests split, was down to bass player Gerry Dionne. As a vice president with American Motor Inns, the largest franchiser of Holiday Inns in the country at that time, Gerry’s father agreed to letContinue reading “The Tempests (Pt. 10): The Split, and a New Band Forms”
The Tempests (pt. 9): Winds of Change
E. Mark Windle 29 August 2021 “We were always messing around” says Nelson Lemmond. “At one point, Ray Alexander had joined us to replace Jim Butt who quit to go to college by late 1968. Ray’s a talented musician; one hell of a trumpet player and had been with The Rivieras before us. In muchContinue reading “The Tempests (pt. 9): Winds of Change”
The Tempests (pt. 8): Touring, Boston’s Sugar Shack, and the LP release
E. Mark Windle 19 August 2021 Touring was relentless. In between it all, the Premier Talent Agency pushed The Tempests through a couple of multi-artist events, at The Mariners Festival, a USO show at Fort Eustis, Virginia. Then it was onto another at Trenton, New Jersey where a local promoter took all the money andContinue reading “The Tempests (pt. 8): Touring, Boston’s Sugar Shack, and the LP release”